Mahjong, the centuries-old Chinese tile game, became embroiled in controversy last week over a debate about cultural appropriation.
The “Cheeky Line” mahjong set, by The Mahjong Line. Credit: From The Mahjong Line
The website has since been changed to remove these phrases.
The tile sets were also marketed with different personality profiles — the “Cheeky Line,” for example, represented the type of “gal” who is “equally happy in LA or Austin. Loves a wild wallpaper, millennial pink and her many sneakers.”
The full “Cheeky Line” mahjong set. Credit: From The Mahjong Line
Images of the tiles and screenshots from the company’s website were posted on Twitter last week, sparking
But the company has not stopped selling its games.
The “Minimal Line” mahjong tile set designed and sold by Dallas-based company The Mahjong Line. Credit: The Mahjong Line
“We stand by our products and are proud to be one of the many different companies offering a wide range of tiles and accessories for the game of American mahjong,” said co-founder Kate LaGere in a statement to CNN. “That being said, we take full responsibility that in our quest to introduce new tiles we unintentionally recreated an experience shared by many Asian Americans of cultural erasure and are working to correct this mistake.”
This is just the latest in a long string of similar incidents that have sparked outrage in recent years. The pattern is familiar now: Someone borrows or misrepresents a piece of Asian culture, becomes the target of online criticism, offers an apology and a promise to do better, and the Twittersphere moves on — until the next controversy.
But as each outrage comes and goes, the same question re-emerges, from both outside and within the Asian American community: Where do you draw the line between appreciation and appropriation?
“When cultures are inspired by another culture, that’s one thing,” said Nancy Wang Yuen, a sociologist and author who writes about race and representation, in a phone interview. “But if they claim to improve upon and disrespect the original culture, or if there’s an air of superiority over the original content, then that becomes appropriation.”
Part of the offense comes when those doing the appropriating make “a claim of authenticity … when they’re not actually using any … Asian talent,” said Yuen. For instance, restaurants that claim to serve authentic Chinese food without using any Chinese consultants or staff — or, in this case, a mahjong company that is headed by White founders.
Kacey Musgraves received backlash after posting photos on Instagram wearing a traditional Vietnamese ao dai dress. The form-fitting Vietnamese tunic is typically worn over long flowing pants. Credit: @spaceykacey/Instagram
But appropriation and its accompanying controversies take place in other spheres of life, from food and makeup to language and speech. And, Yuen said, it’s most harmful when there’s a power difference between the appropriators and the group they’re borrowing from — a dominant group “denigrating” the minority culture while profiting from it or misrepresenting it, as she put it.
In 2019, for instance, a New York restaurant sparked uproar and accusations of racism and cultural appropriation, after its White owner said it would serve “clean” Chinese food that wouldn’t make people feel “bloated and icky.” The restaurant closed just eight months after opening.
Calling out offenders
Cultural appropriation itself is nothing new; it’s been happening for centuries. For instance, Dior has been referencing Chinese fashion since the mid-20th century. Even further back, Chinese motifs were commonly seen in 19th-century French and Italian fashion.
But, increasingly, people are calling it out — partly because of the ubiquity of social media, Yuen said.
“With the popularity of social media and the ease of having your voice heard even if you’re not famous — I think that allows for people to comment on and bring attention to practices that have been long standing … of appropriating non-Western cultures, as well as the native cultures,” she said.
People play mahjong along a street in Beijing, China, on December 1, 2020. Credit: NOEL CELIS/AFP/Getty Images
Apart from providing a platform for people to voice their opposition, social media also allows the opinions of relatively anonymous characters — say, a teenager in Utah — to be seen and shared by mass audiences, she added. Problematic content that may previously have gone unnoticed can now spread like wildfire.
But online controversies often reflects a growing national conversation about race, racism and identity in the US. The country has experienced a cultural reckoning in the past decade, with people of color and minority groups pushing for greater representation, recognition and opportunity. The Asian American community has enjoyed a rise in visibility among the general public, with the emergence of pop culture successes like “Crazy Rich Asians” and “Fresh Off The Boat.” Younger activists and artists are increasingly vocal in sharing not just aspects of their culture, but also the ways they navigate mainstream society and the realities of racism and Asian stereotypes.
Kevin Kwan, writer of “Crazy Rich Asians,” with the cast and crew of the movie adaptation in Los Angeles in 2019. Credit: Emma McIntyre/Getty Images
There is a “growing awareness of injustices, of all sorts — structural injustices, societal, as well as cultural in this case,” Yuen said, referring to the redesigned mahjong sets.
“I think the combination of the rise of social media (and) the rise of Asian American popular culture in the general consciousness, also allows for non-Asians to help to ally with Asian American communities,” she added.
The flip side
This rise in activism and cultural sensitivity has been met with skepticism in some quarters.
Four young women playing mahjong in California in 1924, soon after the game was introduced from China to the US. Credit: Underwood Archives/Getty Images
“Mahjong has been changing ever since it first came on the scene (in China) in the mid-1800s,” said Gregg Swain, an American mahjong expert whose work informed the founders of The Mahjong Line when they launched the company in November 2020. “Versions of the game, and the tile set itself, have been altered to fit into different cultures and regions.”
Yuen offered another take to these criticisms: Think of it not as “cancel culture,” but “consequence culture.”
“I think people are tired of the history of cultural appropriation,” she said. “People are, for the first time, able to voice discontent … That’s how growth happens.”
“The problem is not when (activism) is taken too far,” she added — the problem is when offenders shut down the conversation because they feel attacked, instead of taking the step to recognize their privilege, educate themselves and engage with those minority communities, she said.
Besides, she said, most people who call out appropriation aren’t demanding that only Chinese people can play mahjong.
A group of seniors playing mahjong at the Jewish Temple Beth Emet in Anaheim, California in 1996. Credit: Kari Rene Hall/Los Angeles Times/Getty Images
“A lot of people are saying that companies should donate to Chinatown causes, and causes that are under siege because of anti-Asian racism,” she said. “If you are going to engage with Chinese culture through mahjong, you need to understand the community’s needs. And rather than flippantly insult them, you need to engage with them, and bring them into your research and into dialogue.”
As for The Mahjong Line, the founders said they had been aware of the cultural sensitivity of the game, and tried (however unsuccessfully) to pay proper tribute. They researched “the evolution of the tiles over the history of the game for both Chinese and American mahjong,” as well as consulting with instructors, and seeking feedback from “a broad range of people” when creating the brand, LaGere said in her statement to CNN.
Still, she acknowledged they “failed to get perspectives from individuals more closely affiliated with the origins of the game. A grave mistake we take full ownership of.
“Moving forward, we will continue having conversations with experts closely tied to the game’s origins to ensure its rich history and cultural significance is properly represented in our promotion and description of the game,” she said. “This will be an ongoing process which will take some time as we continue to expand and roll out new policies in line with our goals to further (educate) ourselves as entrepreneurs in this space.”